About Christopher Johnstone

Christopher Johnstone lives in Melbourne

Becoming A Writer Reread #4

becoming_a_writerThis is the fourth instalment in my reread of Dorothea Brande’s remarkable 1934 book, Becoming a Writer. You can find part one here. In part one Dorothea Brande described the four key difficulties that prevent a person from writing. In the second chapter, she takes a closer look at what functional, professional writers are (generally speaking) like as a group. In part three, Dorothea takes a closer look at the advantages of splitting yourself into two people in your writing life. Continue reading

An Insightful Examination Of An Unusual Path

make_art_make_moneyMAKE ART MAKE MONEY

Elizabeth Hyde Stevens 2013 ISBN 9781477817384

My attention was first drawn to this book when Mary Robinette Kowal mentioned on Writing Excuses that she had recently recorded the audiobook version. The idea sounded fascinating – an examination of how Jim Henson balanced the art side of his work against the business side of his work, and yet somehow managed to do the miraculous, and wildly succeed at both. Continue reading

Self-Publishing In The Age of Information Overload #2

a_christmas_carolEBOOK & PUBLICATION PLATFORMS

This is the second in my series on self-publishing. To begin with I wanted to have a quick look at what sorts of self-publishing options exist, both electronic and not electronic. You can read the first post in this series here.

I’m going to divide publishing options into four broad categories, outlined below: Continue reading

Show Don’t Tell

book_logoAfter hunting up an early reference to Write What You Know, I thought I’d have a quick hunt for that other old adage of writing advice, Show Don’t Tell. This is another piece of advice that is useful in some but not all instances for some but not all writers.

If you tend to over-labour your writing and use too much description then you might well need to tell not show, after all. Usually telling is required when you need to keep the pace going quickly and when the immediate scene is of less importance, either to the story or the character. You can think of this as a ‘zoom’ even. Continue reading

Write What You Know

book_logoI was listening to an author interview today when the interviewer mentioned that old adage from writing school – write what you know. As far as writing what you know about emotionally this bit of advice sort of makes sense, though it is more often taken far more literally both by would-be writers and their teachers. When taken literally the adage makes little sense. Continue reading

Perhaps We Could Make Signs? Mine Would Say: Australians Wear Hats!

all_the_birds_singingThe Miles Franklin Award was announced this week, going to Evie Wyld for All the Birds, Singing. The Miles Franklin is a very long-standing award and its announcement put me in mind of past controversies. I wondered if there was already a controversy around Evie Wyld’s win – a half-hearted Google rummage doesn’t seem to turn up rancour thus far at least. Nonetheless, it is the Miles Franklin after all, and sooner or later someone will complain about something. Continue reading

Becoming A Writer Reread #3

becoming_a_writerBECOMING A WRITER

Dorothea Brande

This is the third instalment in my reread of Dorothea Brande’s remarkable 1934 book, Becoming a Writer. You can find part one here. In part one Dorothea Brande described the four key difficulties that prevent a person from writing. In the second chapter, she takes a closer look at what functional, professional writers are (generally speaking) like as a group. In part three, Dorothea takes a closer look at the advantages of splitting yourself into two people in your writing life. Continue reading

A Darkly Restrained Elegance Of Storytelling

the_hole_the_fox_did_makeTHE HOLE THE FOX DID MAKE

Emily Carroll

The Hole the fox did make is an elegant, beautiful and restrained ghostly tale presented as a drawn story. Saying too much will give away too much, and in any instance, Hole the fox did make is short enough that you can and should just go ahead and read it right away.

If you like that, the author, Emily Carroll has several other charming, scary, radiant stories at her site. The art style is strongly modern with what might almost be a pop art / literary vibe to it. In terms of art, I’m reminded of something partway between You’re All Just Jealous of my Jetpack and Hark, a Vagrant, but with a clear strong storyteller’s voice rather than one-off humorous jibes.

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      HEADSCARVES AND HYMENS: WHY THE MIDDLE EAST NEEDS A SEXUAL REVOLUTION Mona Eltahawy Hachette, April 2015, RRP $29.99 It’s hard to not be struck by the universality of sexism and sexual abuse while reading Headscarves and Hymens, a snapshot of sexual politics in the Middle East. Eltahawy paints a picture … Continue reading